Filter your results
- 33
- 4
- 3
- 2
- 33
- 4
- 3
- 2
- 6
- 6
- 15
- 6
- 23
- 4
- 3
- 1
- 1
- 1
- 30
- 3
- 28
- 9
- 9
- 6
- 6
- 6
- 3
- 2
- 2
- 2
- 2
- 2
- 2
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 32
- 14
- 31
- 6
- 5
- 3
- 2
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 1
- 29
- 4
|
|
sorted by
|
|
Reactive Visual Programs for Computer-Aided Music CompositionIEEE Symposium on Visual Languages and Human-Centric Computing, 2014, Melbourne, Australia. pp. 141-144, ⟨10.1109/VLHCC.2014.6883037⟩
Conference papers
hal-01055239v1
|
||
|
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusicInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China
Conference papers
hal-01567619v2
|
||
|
pOM: Linking Pen Gestures to Computer-Aided Composition Processes40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Sep 2014, Athenes, Greece
Conference papers
hal-01053295v2
|
||
|
Tempo Curving as a Framework for Interactive Computer-Aided CompositionSound and Music Computing Conference (SMC), Jul 2015, Maynooth, Ireland
Conference papers
hal-01166166v1
|
||
|
A Structural Theory of Rhythm Notation based on Tree Representations and Term RewritingMathematics and Computation in Music: 5th International Conference, MCM 2015, Oscar Bandtlow and Elaine Chew, Jun 2015, London, United Kingdom. pp.12
Conference papers
hal-01138642v1
|
||
|
Timed Sequences: A Framework for Computer-Aided Composition with Temporal StructuresTENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation, May 2017, A Coruña, Spain
Conference papers
hal-01484077v1
|
||
|
OpenMusic on LinuxLinux Audio Conference, 2014, Karlsruhe, Germany
Conference papers
hal-01075235v1
|
||
|
Articulation dynamique de structures temporelles pour l'informatique musicaleModélisation des Systèmes Réactifs (MSR 2015), Nov 2015, Nancy, France
Conference papers
hal-01224271v1
|
||
|
Programmation and Control of Faust Sound Processing in OpenMusicJoint International Computer Music / Sound and Music Computing Conferences (ICMC-SMC), 2014, Athens, Greece
Conference papers
hal-01158363v1
|
||
|
Towards Interactive Authoring Tools for Composing SpatializationIEEE 10th Symposium on 3D User Interfaces, Mar 2015, Arles, France
Conference papers
hal-01108709v1
|
||
|
A Reactive Extension of the OpenMusic Visual Programming LanguageJournal of Visual Languages and Computing, 2014, 25 (4), pp.363-375. ⟨10.1016/j.jvlc.2014.03.003⟩
Journal articles
hal-00965747v1
|
||
|
Projet EFFICACE : Développements et perspectives en composition assistée par ordinateurJournées d'Informatique Musicale, 2015, Montréal, Canada
Conference papers
hal-01142022v1
|
||
|
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and OdotACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. ⟨10.1145/2975980.2975985⟩
Conference papers
hal-01353794v1
|
||
|
Landschaften – Visualization, Control and Processing of Sounds in 3D SpacesInternational Computer Music Conference (ICMC'17), 2017, Shanghai, China
Conference papers
hal-01567629v1
|
||
|
A Supervised Approach for Rhythm Transcription Based on Tree Series EnumerationInternational Computer Music Conference (ICMC), Sep 2016, Utrecht, Netherlands
Conference papers
hal-01315689v2
|
||
|
Reactive Visual Programs in OpenMusic[Research Report] IRCAM / ANR-13-JS02-0004-01 EFFICACe. 2014
Reports
hal-01142078v2
|
||
|
A Term Rewriting Based Structural Theory of Rhythm Notation[Research Report] ANR-13-JS02-0004-01 - EFFICACe. 2015
Reports
hal-01134096v3
|
||
|
Tools and Applications for Interactive-Algorithmic Control of Sound Spatialization in OpenMusicinSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art, 2015, Karlsruhe, Germany
Conference papers
hal-01226263v1
|
||
|
Computer-aided Composition of Musical ProcessesJournal of New Music Research, 2017, 46 (1), ⟨10.1080/09298215.2016.1230136⟩
Journal articles
hal-01370792v1
|
||
|
Guided improvisation as dynamic calls to an offline modelSound and Music Computing (SMC), Jul 2015, Maynooth, Ireland
Conference papers
hal-01184642v1
|
||
From representation to relationality: Bodies, biosensors and mediated environmentsJournal of Dance and Somatic Practices, 2016, 8 (1)
Journal articles
hal-01495853v1
|
|||
|
Quantification rythmique dans OpenMusicAutomatique. 2015
Master thesis
hal-01202257v1
|
||
|
Planning and Scheduling Actions in a Computer-Aided Music Composition SystemScheduling and Planning Applications Workshop (SPARK), Steve Chien; Mark Giuliano; Riccardo Rasconi, Jun 2015, Jerusalem, Israel. pp.1-6
Conference papers
hal-01163284v1
|
||
|
Une approche interactive pour la transcription rythmique dans OpenMusicJournées d'Informatique Musicale 2016, AFIM, Mar 2016, Albi, France
Conference papers
hal-01298806v1
|
||
|
Adaptive lookahead planning for performing music compositionThe 25th International Conference on Automated Planning and Scheduling (ICAPS), Jun 2015, Jerusalem, Israel. 2015
Conference poster
hal-01163294v1
|
||
|
Dynamic Message-Oriented Middleware with Open Sound Control and OdotInternational Computer Music Conference, University of North Texas, 2015, Denton, United States
Conference papers
hal-01165775v1
|
||
|
Interactive-Compositional Authoring of Sound SpatializationJournal of New Music Research, 2017, 46 (1), pp.20. ⟨10.1080/09298215.2016.1230632⟩
Journal articles
hal-01467080v1
|
||
|
Trajectoires: a Mobile Application for Controlling Sound SpatializationCHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, ⟨10.1145/2851581.2890246⟩
Conference papers
hal-01285852v1
|
||
Interactive Composition46 (1), 2017, Journal of New Music Research
Books
hal-01483502v1
|
|||
|
Some results on confluence: decision and what to do without5th International Workshop on Confluence, Beniamino Accattoli, Ashish Tiwari Sep 2016, Obergurgl, Austria
Conference papers
hal-01367535v1
|
- 1
- 2